
Desde 2017, publicamos ediciones de artistas latinoamericanos cuyas prácticas se mueven entre la ilustración, la novela gráfica, el arte contemporáneo y el trabajo de archivo — siempre desde una perspectiva experimental.
Nos interesa acompañar narrativas que surgen de experiencias personales, que se construyen colectivamente, que experimentan con prácticas DIY impulsadas por la oportunidad y el deseo de comunidad, y que entienden el humor como una estrategia tanto política como afectiva.
Vemos las publicaciones como una excusa y una necesidad, así como un archivo para contar nuestra historia, quiénes somos y lo que estamos viviendo. Algo que podamos sostener, compartir con otrxs y usar para repensarnos. Nos dan valor en nuestras propias luchas y nos ayudan a sentirnos menos solxs en nuestra forma de ver el mundo.









A dumb guy. A government job he didn’t earn. A crush he can’t shake. So—why not run for president?
Drawn by a veteran of Argentina’s punk scene, this 2-color risograph book is a lo-fi political satire about love, delusion, and climbing the ranks of power for all the wrong reasons. Raw, ridiculous, and weirdly relatable.
—
Texts by Alejo Ini
Muriel Bellini (Buenos Aires, 1974) Zine editor, comic artist, bookseller, and graduate in Visual Arts (UNA). She publishes her work in both national and international projects, including Piraña, Waicomics, Musaraña, Cinefania, Fierro, and the Municipality of Rosario (Argentina); Brígida (Chile), Carboncito (Peru), Latinotoons (Mexico), Suspect Device (USA), Ediciones Valientes (Spain), Eatenbyducks (Netherlands), and Alkom’X (Belgium), among many others.
84 pp
20 x 26 cm
Published in a 2-color Risograph edition
First edition 45 copies
2025





This publication is a 44-page collection of investigations into the three guarantees in life: time, death, and music.
—
Dylan Jones is an illustrator and animator from Portland. He lives and works there.
44 pp
10 x 15 cm
Published in a 4-color Risograph edition
First edition 120 copies
2025










A romantic zine by a romantic boy. @romanticocaricio tattoo flash archive.
—
Romantico is a Chilean tattoo and graffiti artist. He lives and works in Santiago de Chile.
20 pp
22 x 34 cm
2 Different foil covers
Comes with an A2 print
Risoprinted
First edition 300 copies
2025









This publication is a living, intimate archive. A doorway into the complex (un)weaving of @pantano__’s Honduran family, the territory, and how geopolitical issues cut through those experiences.
It explores themes such as legends, oral history, sexual abuse, magic, caves, rock art, and migration through photography, painting, sculpture, drawing, and poetry.
“Central America is an isthmus located at the convergence of five tectonic plates. This creates pressure, tension, and movement. Honduras is a latent wound.
The geological ground of Honduras is excessively porous. This means it is unstable and mutable. One could say that the ground that holds us works like a mirror: it reflects the political, cultural, economic, and emotional instability of those who inhabit it. The territory embodies the history of a people.
Thanks to rock art and to the caves for safeguarding our heritage.”
—
Clo Pantano is a Honduran/American artist working across painting, sculpture, tattoo, and performance. They graduated from the School of Fine Arts of Valparaíso in Chile with a BFA in Painting. They are currently based in Brooklyn, NY.
48 pp
23 x 17 cm
Cover Paper Canson 130gr
Risoprinted
First edition 200 copies
2025

A collaboration made for issue #58 of Kiosco, a limited edition printed in two-color risograph: black and green.
—
Santiago Paredes (1988, Buenos Aires, Argentina) Educated primarily through the internet, independent publications, album covers, and art monographs, Paredes constructs complex scenes that contain multiple references, appropriations, and simulations, actively engaging with the history of images. His work is influenced by diverse interests such as Persian miniatures, Japanese prints, haute couture fashion, and contemporary pop culture.
18 pp
16 x 23 cm
Printed in 2-color risograph on natural paper
First edition 200 copies
2025







⭑ This publication was edited and designed by the artist Andrés Yeah and risoprinted as a special edition by Proyecto Piranha. A poem dedicated to river dolphins, with particular reference to this news story:
A dolphin died on one of the beaches of Mar del Tuyú after a tourist pulled it out of the water.
—
Andres Yeah (1987, Rosario, Argentina) works independently as a designer, developing visual projects in music, fashion, culture, and art. He has taken part in both group and solo exhibitions, and his work has appeared in national and international publications. He was a member of the bands Queridas and Mi Nave, with which he released several albums. Since 2009, he has been printing and self-publishing zines. His first book, A Coffin Shaped Like a Sports Car, was published by EMR after being a finalist in the Felipe Aldana Municipal Poetry Contest 2023. Since 2024, he has been a lecturer in the Graphic Design degree program at UNR.
14 pp
10 x 15cm
Fluo Pink on pale pink sheets 80gr
Cover Bookcel 80gr
First edition 120 copies
2025






⭑ The project “Autoprogettazione” reflects Enzo Mari's idea of democratizing design, allowing anyone to build furniture with their own hands. For Mari, objects had to be useful, honestly beautiful, and at the service of everyone—not just an elite. His approach sought to return to design its ethical, educational, and transformative dimension.
⭑ This zine is a condensed version of the original manual, containing images, plans, and measurements to build several of his pieces of furniture, plus a series of texts and interviews where he shares his vision.
—
Enzo Mari is one of the masters of Italian Design. Novara 1932 – Milan 2020. Has always lived in Milan where he first moved to train as an artist. His work ranges from design to painting, from graphics to installation design. He has been both a university lecturer and a political activist. His characteristic style with its minimal forms and consistent use of materials is considered fundamental to the history of Italian design and the development of its role on the world stage. Mari worked with Danese Milano during a strong period of growth for the company and this allowed him to experiment with techniques, create installations, sculptures and products that became true milestones in the history of Italian design.
32 pp
23 x 15,5 cm
Covers Canson Paper 130gr
Metalic fastener
First edition 120 copies
2025





This publication is a compilation of writings from various artists, exploring how the liberal agenda erodes beauty in the world.
While beauty—connected to enjoyment and pleasure—helps shape personal and cultural identity, the liberal system reduces life to the pursuit of profit, forcing people into mere survival and erasing their cultural heritage along the way.
Born out of the troubling circumstances in Argentina and the far right uprising of the years after the pandemic, this zine seeks to understand and reflect on these issues, opening up a conversation with the intention of sharing that insight with others.
—
Julia is a visual artist and researcher. She is co-founder of the design and gender collective Oblicuas and the collective Llenos y vacíos, with which she studies narratives of urban conflict. She also makes video essays. In her artistic practice she likes to experiment with different ways of creating and sharing knowledge
16 pp
20 x 11 cm
Paperback, Staple Bound
Risoprinted in black, fluo pink and green on 150gr paper
First edition 100 copies
2024





Twenty different universes to paint and choose your own adventure. Illustrated by Vicky Monté and published by Proyecto Piranha.
For this little book, we made a risograph cover printed with 4 inks, on two different machines, in two different studios—defying time, space, and the already untamable laws of color registration. If you happened to get a cover where the colors are kind of all over the place, don’t see it as a mistake. Riso gifts us a bit of chaos and reminds us that coloring outside the lines can also be a lot of fun.
—
Vicky Monté is an illustrator, tattoo artist, image-and-sound designer, and an addict for drawing things with little faces. She currently focuses more on tattooing and illustration than on audiovisual work, but whenever she remembers, she brings her camera along. @vickymonte
40 pp
20 x 11 cm
Spiral Bound
Risoprinted in black, fluo pink and green on 150gr paper
First edition 150 copies
2024






Pablo Boffelli, (Santa Fe, Argentina, 1982)
Visual artist and musician. He’s the author of the books Punch (Galería Editorial, Argentina, 2015), Fiebre (EMR, Argentina, 2016), Rombo (Larva, Colombia, 2016) and Mambo (Waicomics, Argentina, 2018). His comics and illustrations were published in Gang Bang Bong #2 (Canada-Mexico, 2011), Informe. Historieta argentina del siglo XXI (EMR, Argentina, 2015) Strapazin #138 (Switzerland, 2020) and Kuti #55 (Finland, 2020). He lives and works in Rosario, Argentina.
18 pp
8 x 8 cm
Printed in 3-color risograph on 140 gr paper
Spiral bound with violet wire
1 mm white cardboard covers
First edition 120 copies
2024






In Argentina’s turbulent political climate, memes have become potent tools of commentary and dissent. M1seria, an anonymous Buenos Aires creator, posts around 10 memes daily to over 90,000 Instagram followers, blending dark humor with sharp political insight. His book, compiling his first six months of work, serves as both satire and social chronicle, capturing the frustrations and absurdities of everyday life.
—
452 pp
15 x 15 cm
Paperback, Perfect Binding
Digital Offset printed in black and white
Edition Size 700
2024




—
Florencia Pernicone is an illustrator and graphic designer based in Buenos Aires, Argentina. She experiments with various styles and mediums, creating whimsical characters, mysterious scenes, and elements inspired by nature.
40 pp
15 x 10,5cm
28 pp
10 x 15cm
B&N
Cover printed on transparent film
Edition Size 100
2022




Fantasy is a transformative force.
It carries the ability to blur contours as other ethereal universes come into being. There is no definition or stability within it. More than a compositional element, it merges practical teaching with a poetic character—allowing for the creation of a line with enough freedom to be altered.
From experimentation as the only constant arise the images of this zine: drawings that invite being colored, cut, drawn on.
The unfinished as a driving force of searching, continuity, expansion—dismantling the false idea that, in a universe of relentless change, something could remain complete.
—
40 pp
15cm x 10,5cm
Edition size 100
2023
🖇️ Idea & design: Kiterea
Two-color risograph printed edition by @proyectopiranha for issue #42 of Kiosco, Club de Publicaciones





—
@dafnadafne is a photographer. On her IG you'll find her ladies of Buenos Aires and Mar del Plata. She doesn’t really consider this zine her own, but rather one of our whims of wanting to edit her screenshots. All that's left to say is: show me what you screenshot and I'll tell you who you are.
48 pp
13 x 18 cm
Full color
Spiral bound
100 copies
2022




—
Daniela Restrepo is an illustrator, graphic designer, and street art enthusiast, born in Bogotá, Colombia, where she currently lives and works. Darares is her artistic pseudonym, which she has been using since 2010. She is passionate about independent art, illustration, character design, and muralism, through which she has developed her current style.
40 pp
15 x 10,5cm
Matte laminated cover — rounded corners
Inner band die-cut as a glitter sticker
Edition of 200 copies
2022








Lejos de Todo is a compilation of freehand comics and drawings by Migue Cruz and Lui Mort.
Particles of ideas converging in unusual corners of the mind. An imaginary horizon concentrates, becoming the rhythmic river that flows between two mountains. A landscape we all know.
Lui Mort and Migue Cruz are there. In the intangible distance of feelings, the everyday cutouts between acidic and nostalgic moments that make us smile and lose our gaze at an invisible point.
The three of us edited this book while being really far apart. In a short time but very determinedly, sometimes the impulse overcomes the distance.
—
90 pp
17 × 23 cm
Spiral bound
Covers 270 gsm matte laminated
Full color
Edition of 300
2021







This publication brings together the work of fourteen Argentine illustrators and visual artists under 30. It aims to capture the spirit of the times, where artists’ visual language and narrative are constantly reinvented through shared learning experiences within the same artistic circles, fostered by art book fairs and independent exhibitions. It also serves as an homage to the importance of community-building practices, which have played a vital role in shaping the current project into what it is today.
—
Artists: Ivana Boullon, Muriel Bellini, China, Andrea Dasil, Rip Gordon, Coni Marchini, Jo Murúa, Santiago Paredes, Florencia Pernicone, Feli Punch, Purazangre, Lucas Santamarta, Luxy Shangai, Juan Vegetal
Art Cover: Florencia Pernicone
Prologue by: Lucas Santamarta
→ This publication was selected to receive the 2019 Creative Award Grant by the Metropolitan Fund of Culture from Buenos Aires.
80 pp
16×21 cm
Perfect Binding
Digital Offset
Edition Size 500
2019




Setagaya — Mina Forciniti
“These photos are the result of an attempt to freeze fictions and a question with no apparent answer. All the images are screenshots taken on Google Earth in 2014. They were revisited in 2018 and edited with new questions in October 2019.”
—
40 pp
10×15 cm
Edición de 100 copias
2019






Silent comic, noisy illustration, and messy paintings. EVERYTHING IS UGLY—it’s what’s happening right now on your friend’s phone, but you don’t see it. The real pose before posting the story that will disappear in 24 hours.
The truth is we’re alone, we’re broke, and we meet up to drink beer more often than we see our moms. If we accept the tears, let’s keep smiling. Everything is Ugly, the prettiest compilation by Florencia Pernicone.
—
Florencia Pernicone is an illustrator and graphic designer based in Buenos Aires, Argentina. She experiments with various styles and mediums, creating whimsical characters, mysterious scenes, and elements inspired by nature.
—
36 pp
15 x 10cm
Offset printing
Cardboard cover
Binder
Handmade binding
Edition of 100 copies
2019





Ivana Boullon its an Argentinean visual artist whose paintings thrive with brilliant colors and humorous daily scenes. Rotten food, bugs and destruction attempts appear in her paintings with sharp brush strokes of delightful colors. This selection of 16 paintings from the last year, under the title “End of year attitude” aims to capture that particular mood everyone gets when the year is almost over.
—
36 pp
12×12 cm
Full color
Spiral bound
240gr cover with silver vinyl
Edition of 100 copies
2018




Para qué sirven las personas? is an intimate visual archive by painter and cartoonist Panchopepe. Over the course of three years, the artist transformed a found copy of the Civil and Commercial Procedure Code of the Nation—rescued from the street—into a personal sketchbook. Within its 600 printed pages, legal language and imagery coexist, creating a subtle, humorous dialogue between text and painting. Together, these works form a wide-ranging catalogue that reflects the artist’s wit, sensitivity, and restless creative energy.
Published as the inaugural—and only—title of Villacrema, a brief editorial project by comic book artist Jo Murua and Belen, editor at Proyecto Piranha, the book stands as both an artwork in itself and a document of an ephemeral publishing experiment.
—
48 pp
20 x 13 cm
Paperback, Perfect Binding
Digital Color
Edition Size 200
2017
Desde 2017, publicamos ediciones de artistas latinoamericanos cuyas prácticas se mueven entre la ilustración, la novela gráfica, el arte contemporáneo y el trabajo de archivo — siempre desde una perspectiva experimental.
Nos interesa acompañar narrativas que surgen de experiencias personales, que se construyen colectivamente, que experimentan con prácticas DIY impulsadas por la oportunidad y el deseo de comunidad, y que entienden el humor como una estrategia tanto política como afectiva.
Vemos las publicaciones como una excusa y una necesidad, así como un archivo para contar nuestra historia, quiénes somos y lo que estamos viviendo. Algo que podamos sostener, compartir con otrxs y usar para repensarnos. Nos dan valor en nuestras propias luchas y nos ayudan a sentirnos menos solxs en nuestra forma de ver el mundo.





This publication is a 44-page collection of investigations into the three guarantees in life: time, death, and music.
—
Dylan Jones is an illustrator and animator from Portland. He lives and works there.
44 pp
10 x 15 cm
Published in a 4-color Risograph edition
First edition 120 copies
2025










A romantic zine by a romantic boy. @romanticocaricio tattoo flash archive.
—
Romantico is a Chilean tattoo and graffiti artist. He lives and works in Santiago de Chile.
20 pp
22 x 34 cm
2 Different foil covers
Comes with an A2 print
Risoprinted
First edition 300 copies
2025









This publication is a living, intimate archive. A doorway into the complex (un)weaving of @pantano__’s Honduran family, the territory, and how geopolitical issues cut through those experiences.
It explores themes such as legends, oral history, sexual abuse, magic, caves, rock art, and migration through photography, painting, sculpture, drawing, and poetry.
“Central America is an isthmus located at the convergence of five tectonic plates. This creates pressure, tension, and movement. Honduras is a latent wound.
The geological ground of Honduras is excessively porous. This means it is unstable and mutable. One could say that the ground that holds us works like a mirror: it reflects the political, cultural, economic, and emotional instability of those who inhabit it. The territory embodies the history of a people.
Thanks to rock art and to the caves for safeguarding our heritage.”
—
Clo Pantano is a Honduran/American artist working across painting, sculpture, tattoo, and performance. They graduated from the School of Fine Arts of Valparaíso in Chile with a BFA in Painting. They are currently based in Brooklyn, NY.
48 pp
23 x 17 cm
Cover Paper Canson 130gr
Risoprinted
First edition 200 copies
2025

A collaboration made for issue #58 of Kiosco, a limited edition printed in two-color risograph: black and green.
—
Santiago Paredes (1988, Buenos Aires, Argentina) Educated primarily through the internet, independent publications, album covers, and art monographs, Paredes constructs complex scenes that contain multiple references, appropriations, and simulations, actively engaging with the history of images. His work is influenced by diverse interests such as Persian miniatures, Japanese prints, haute couture fashion, and contemporary pop culture.
18 pp
16 x 23 cm
Printed in 2-color risograph on natural paper
First edition 200 copies
2025







⭑ This publication was edited and designed by the artist Andrés Yeah and risoprinted as a special edition by Proyecto Piranha. A poem dedicated to river dolphins, with particular reference to this news story:
A dolphin died on one of the beaches of Mar del Tuyú after a tourist pulled it out of the water.
—
Andres Yeah (1987, Rosario, Argentina) works independently as a designer, developing visual projects in music, fashion, culture, and art. He has taken part in both group and solo exhibitions, and his work has appeared in national and international publications. He was a member of the bands Queridas and Mi Nave, with which he released several albums. Since 2009, he has been printing and self-publishing zines. His first book, A Coffin Shaped Like a Sports Car, was published by EMR after being a finalist in the Felipe Aldana Municipal Poetry Contest 2023. Since 2024, he has been a lecturer in the Graphic Design degree program at UNR.
14 pp
10 x 15cm
Fluo Pink on pale pink sheets 80gr
Cover Bookcel 80gr
First edition 120 copies
2025






⭑ The project “Autoprogettazione” reflects Enzo Mari's idea of democratizing design, allowing anyone to build furniture with their own hands. For Mari, objects had to be useful, honestly beautiful, and at the service of everyone—not just an elite. His approach sought to return to design its ethical, educational, and transformative dimension.
⭑ This zine is a condensed version of the original manual, containing images, plans, and measurements to build several of his pieces of furniture, plus a series of texts and interviews where he shares his vision.
—
Enzo Mari is one of the masters of Italian Design. Novara 1932 – Milan 2020. Has always lived in Milan where he first moved to train as an artist. His work ranges from design to painting, from graphics to installation design. He has been both a university lecturer and a political activist. His characteristic style with its minimal forms and consistent use of materials is considered fundamental to the history of Italian design and the development of its role on the world stage. Mari worked with Danese Milano during a strong period of growth for the company and this allowed him to experiment with techniques, create installations, sculptures and products that became true milestones in the history of Italian design.
32 pp
23 x 15,5 cm
Covers Canson Paper 130gr
Metalic fastener
First edition 120 copies
2025





This publication is a compilation of writings from various artists, exploring how the liberal agenda erodes beauty in the world.
While beauty—connected to enjoyment and pleasure—helps shape personal and cultural identity, the liberal system reduces life to the pursuit of profit, forcing people into mere survival and erasing their cultural heritage along the way.
Born out of the troubling circumstances in Argentina and the far right uprising of the years after the pandemic, this zine seeks to understand and reflect on these issues, opening up a conversation with the intention of sharing that insight with others.
—
Julia is a visual artist and researcher. She is co-founder of the design and gender collective Oblicuas and the collective Llenos y vacíos, with which she studies narratives of urban conflict. She also makes video essays. In her artistic practice she likes to experiment with different ways of creating and sharing knowledge
16 pp
20 x 11 cm
Paperback, Staple Bound
Risoprinted in black, fluo pink and green on 150gr paper
First edition 100 copies
2024





Twenty different universes to paint and choose your own adventure. Illustrated by Vicky Monté and published by Proyecto Piranha.
For this little book, we made a risograph cover printed with 4 inks, on two different machines, in two different studios—defying time, space, and the already untamable laws of color registration. If you happened to get a cover where the colors are kind of all over the place, don’t see it as a mistake. Riso gifts us a bit of chaos and reminds us that coloring outside the lines can also be a lot of fun.
—
Vicky Monté is an illustrator, tattoo artist, image-and-sound designer, and an addict for drawing things with little faces. She currently focuses more on tattooing and illustration than on audiovisual work, but whenever she remembers, she brings her camera along. @vickymonte
40 pp
20 x 11 cm
Spiral Bound
Risoprinted in black, fluo pink and green on 150gr paper
First edition 150 copies
2024






Pablo Boffelli, (Santa Fe, Argentina, 1982)
Visual artist and musician. He’s the author of the books Punch (Galería Editorial, Argentina, 2015), Fiebre (EMR, Argentina, 2016), Rombo (Larva, Colombia, 2016) and Mambo (Waicomics, Argentina, 2018). His comics and illustrations were published in Gang Bang Bong #2 (Canada-Mexico, 2011), Informe. Historieta argentina del siglo XXI (EMR, Argentina, 2015) Strapazin #138 (Switzerland, 2020) and Kuti #55 (Finland, 2020). He lives and works in Rosario, Argentina.
18 pp
8 x 8 cm
Printed in 3-color risograph on 140 gr paper
Spiral bound with violet wire
1 mm white cardboard covers
First edition 120 copies
2024






In Argentina’s turbulent political climate, memes have become potent tools of commentary and dissent. M1seria, an anonymous Buenos Aires creator, posts around 10 memes daily to over 90,000 Instagram followers, blending dark humor with sharp political insight. His book, compiling his first six months of work, serves as both satire and social chronicle, capturing the frustrations and absurdities of everyday life.
—
452 pp
15 x 15 cm
Paperback, Perfect Binding
Digital Offset printed in black and white
Edition Size 700
2024




—
Florencia Pernicone is an illustrator and graphic designer based in Buenos Aires, Argentina. She experiments with various styles and mediums, creating whimsical characters, mysterious scenes, and elements inspired by nature.
40 pp
15 x 10,5cm
28 pp
10 x 15cm
B&N
Cover printed on transparent film
Edition Size 100
2022




Fantasy is a transformative force.
It carries the ability to blur contours as other ethereal universes come into being. There is no definition or stability within it. More than a compositional element, it merges practical teaching with a poetic character—allowing for the creation of a line with enough freedom to be altered.
From experimentation as the only constant arise the images of this zine: drawings that invite being colored, cut, drawn on.
The unfinished as a driving force of searching, continuity, expansion—dismantling the false idea that, in a universe of relentless change, something could remain complete.
—
40 pp
15cm x 10,5cm
Edition size 100
2023
🖇️ Idea & design: Kiterea
Two-color risograph printed edition by @proyectopiranha for issue #42 of Kiosco, Club de Publicaciones





—
@dafnadafne is a photographer. On her IG you'll find her ladies of Buenos Aires and Mar del Plata. She doesn’t really consider this zine her own, but rather one of our whims of wanting to edit her screenshots. All that's left to say is: show me what you screenshot and I'll tell you who you are.
48 pp
13 x 18 cm
Full color
Spiral bound
100 copies
2022




—
Daniela Restrepo is an illustrator, graphic designer, and street art enthusiast, born in Bogotá, Colombia, where she currently lives and works. Darares is her artistic pseudonym, which she has been using since 2010. She is passionate about independent art, illustration, character design, and muralism, through which she has developed her current style.
40 pp
15 x 10,5cm
Matte laminated cover — rounded corners
Inner band die-cut as a glitter sticker
Edition of 200 copies
2022








Lejos de Todo is a compilation of freehand comics and drawings by Migue Cruz and Lui Mort.
Particles of ideas converging in unusual corners of the mind. An imaginary horizon concentrates, becoming the rhythmic river that flows between two mountains. A landscape we all know.
Lui Mort and Migue Cruz are there. In the intangible distance of feelings, the everyday cutouts between acidic and nostalgic moments that make us smile and lose our gaze at an invisible point.
The three of us edited this book while being really far apart. In a short time but very determinedly, sometimes the impulse overcomes the distance.
—
90 pp
17 × 23 cm
Spiral bound
Covers 270 gsm matte laminated
Full color
Edition of 300
2021







This publication brings together the work of fourteen Argentine illustrators and visual artists under 30. It aims to capture the spirit of the times, where artists’ visual language and narrative are constantly reinvented through shared learning experiences within the same artistic circles, fostered by art book fairs and independent exhibitions. It also serves as an homage to the importance of community-building practices, which have played a vital role in shaping the current project into what it is today.
—
Artists: Ivana Boullon, Muriel Bellini, China, Andrea Dasil, Rip Gordon, Coni Marchini, Jo Murúa, Santiago Paredes, Florencia Pernicone, Feli Punch, Purazangre, Lucas Santamarta, Luxy Shangai, Juan Vegetal
Art Cover: Florencia Pernicone
Prologue by: Lucas Santamarta
→ This publication was selected to receive the 2019 Creative Award Grant by the Metropolitan Fund of Culture from Buenos Aires.
80 pp
16×21 cm
Perfect Binding
Digital Offset
Edition Size 500
2019




Setagaya — Mina Forciniti
“These photos are the result of an attempt to freeze fictions and a question with no apparent answer. All the images are screenshots taken on Google Earth in 2014. They were revisited in 2018 and edited with new questions in October 2019.”
—
40 pp
10×15 cm
Edición de 100 copias
2019






Silent comic, noisy illustration, and messy paintings. EVERYTHING IS UGLY—it’s what’s happening right now on your friend’s phone, but you don’t see it. The real pose before posting the story that will disappear in 24 hours.
The truth is we’re alone, we’re broke, and we meet up to drink beer more often than we see our moms. If we accept the tears, let’s keep smiling. Everything is Ugly, the prettiest compilation by Florencia Pernicone.
—
Florencia Pernicone is an illustrator and graphic designer based in Buenos Aires, Argentina. She experiments with various styles and mediums, creating whimsical characters, mysterious scenes, and elements inspired by nature.
—
36 pp
15 x 10cm
Offset printing
Cardboard cover
Binder
Handmade binding
Edition of 100 copies
2019





Ivana Boullon its an Argentinean visual artist whose paintings thrive with brilliant colors and humorous daily scenes. Rotten food, bugs and destruction attempts appear in her paintings with sharp brush strokes of delightful colors. This selection of 16 paintings from the last year, under the title “End of year attitude” aims to capture that particular mood everyone gets when the year is almost over.
—
36 pp
12×12 cm
Full color
Spiral bound
240gr cover with silver vinyl
Edition of 100 copies
2018




Para qué sirven las personas? is an intimate visual archive by painter and cartoonist Panchopepe. Over the course of three years, the artist transformed a found copy of the Civil and Commercial Procedure Code of the Nation—rescued from the street—into a personal sketchbook. Within its 600 printed pages, legal language and imagery coexist, creating a subtle, humorous dialogue between text and painting. Together, these works form a wide-ranging catalogue that reflects the artist’s wit, sensitivity, and restless creative energy.
Published as the inaugural—and only—title of Villacrema, a brief editorial project by comic book artist Jo Murua and Belen, editor at Proyecto Piranha, the book stands as both an artwork in itself and a document of an ephemeral publishing experiment.
—
48 pp
20 x 13 cm
Paperback, Perfect Binding
Digital Color
Edition Size 200
2017

Noviembre | Playlist #65
Punta de Lanza
